The Silver Fish by Shawn Pittard (guest)

Really enjoyed the poem below ~ hope you do as well!
 
American Life in Poetry: Column 380
BY TED KOOSER, U.S. POET LAUREATE, 2004-2006
Lots of contemporary poems are merely little personal anecdotes set into lines, but I prefer my
anecdotes to have an overlay of magic. Here’s just such a poem by Shawn Pittard, who lives in
California.

The Silver Fish

I killed a great silver fish,
cut him open with a long

thin knife. The river carried
his heart away. I took his

dead eyes home. His red flesh
sang to me on the fire I built

in my backyard. His taste
was the lost memory of my

wildness. Behind amber clouds
of cedar smoke, Orion

drew his bow. A black moon rose
from the night’s dark waters,

a sliver of its bright face
reflecting back into the universe.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org),
publisher of Poetry magazine. It is also supported by the Department of English at the University of
Nebraska, Lincoln. Poem copyright ©2011 by Shawn Pittard, from his most recent book of poems,
Standing in the River, Tebot Bach, 2011. Poem reprinted by permission of Shawn Pittard and the publisher. Introduction copyright 2012 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.


American Life in Poetry ©2006 The Poetry Foundation
Contact: alp@poetryfoundation.org
This column does not accept unsolicited poetry.

"Loving the Hands" by Julie Suk

Enjoy this beautiful poem from Julie Suk! 

American Life in Poetry: Column 377
BY TED KOOSER, U.S. POET LAUREATE, 2004-2006
Julie Suk is a North Carolinian who like all good writers has taught herself to pay attention to
what’s happening right under her nose. Here’s a good example of her poetry.

Loving the Hands

I could make a wardrobe
with tufts of wool
caught on thistle and bracken.

Lost—the scraps
I might have woven whole cloth.

Come watch, the man says,
shearing sheep
with the precision of long practice,
fleece, removed all of a piece,
rolled in a neat bundle.

I’ve been so clumsy
with people who’ve loved me.

Straddling a ewe,
the man props its head on his foot,
leans down with clippers,
each pass across the coat a caress.

His dogs, lying nearby,
tremble at every move—as I do,
loving the hands that have learned
to gentle the life beneath them.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org),
publisher of Poetry magazine. It is also supported by the Department of English at the University of
Nebraska, Lincoln. Poem copyright ©2011 by Julie Suk, from her most recent book of poems, Lie Down with Me: New and Selected Poems, Autumn House Press, 2011. Poem reprinted by permission of Julie Suk and the publisher. Introduction copyright 2012 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004- 2006. We do not accept unsolicited manuscripts.


American Life in Poetry ©2006 The Poetry Foundation
Contact: alp@poetryfoundation.org
This column does not accept unsolicited poetry.

Guest Post: "I still can’t get it right"

What a last line by poet Kathryn Stripling Byer. Check it out~

American Life in Poetry: Column 374
BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

The following poem by Kathryn Stripling Byer is the second in a series of related poems called
Southern Fictions. Despite all the protective barriers we put up between us and the world, there’s
always a man with a wink that can rip right through. Byer has served as North Carolina’s Poet
Laureate.

I still can’t get it right

I don’t know. I still can’t get it right,
the way those dirt roads cut across the flats
and led to shacks where hounds and muddy shoats
skulked roundabouts. Describing it sounds trite
as hell, the good old South I love to hate.
The truth? What’s that? How should I know?
I stayed inside too much. I learned to boast
of stupid things. I kept my ears shut tight,
as we kept doors locked, windows locked,
the curtains drawn. Now I know why.
The dark could hide things from us. Dark could see
what we could not. Sometimes those dirt roads shocked
me, where they ended up: I watched a dog die
in the ditch. The man who shot him winked at me.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org),
publisher of Poetry magazine. It is also supported by the Department of English at the University of
Nebraska, Lincoln. Poem copyright ©2001 by Kathryn Stripling Byer from her most recent book of poems,
Southern Fictions, Jacar Press, 2011. Descent, her new collection, is forthcoming from LSU Press.
Reprinted by permission of Kathryn Stripling Byer and the publisher. Introduction copyright 2012 by The
Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate
Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited
manuscripts.


American Life in Poetry ©2006 The Poetry Foundation
Contact: alp@poetryfoundation.org
This column does not accept unsolicited poetry.

Isaac’s Blessing (Guest Post, American Life in Poetry)

American Life in Poetry: Column 370
BY TED KOOSER, U.S. POET LAUREATE, 2004-2006
Here’s a fine poem about family love and care by Janet Eigner, who lives in Santa Fe, New
Mexico. You can feel that blessing touch the crown of your head, can’t you?

Isaac’s Blessing

When Isaac, a small, freckled boy
approaching seven, visits us for Family Camp,
playing pirate with his rubber sword,

sometimes he slumps in grief,
trudging along, his sacrifice and small violin
in hand, his palm over his chest,

saying, Mother is here
in my heart. Before he leaves for home,
we ask if he’d like a Jewish blessing.

Our grandson’s handsome face ignites;
he chirps a rousing, yes, for a long life.
We unfold the prayer shawl,

its Hebrew letters silvering the spring light,
hold the white tallis above his head,
recite the blessing in its ancient language

and then the English, adding, for a long life.
Isaac complains, the tallis didn’t
touch his head, so he didn’t feel the blessing.

We lower its silken ceiling
to graze his dark hair,
repeat the prayer.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org),
publisher of Poetry magazine. It is also supported by the Department of English at the University of
Nebraska, Lincoln. Poem copyright ©2009 by Janet Eigner, whose most recent book of poetry is What Lasts is the Breath, Black Swan Editions, 2012. Reprinted from Cornstalk Mother, Pudding House Publications, 2009, by permission of Janet Eigner and the publisher. Introduction copyright 2012 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.


American Life in Poetry ©2006 The Poetry Foundation
Contact: alp@poetryfoundation.org
This column does not accept unsolicited poetry.

Red Balloon Rising by Laurel Blossom

I hope you enjoy the lovely poem by Laurel Blossom as much as I did. And here’s the link if you care to read my essay on E.B. White, also one of my favorite writers (as referenced by Ted Kooser below).

American Life in Poetry: Column 369
BY TED KOOSER, U.S. POET LAUREATE, 2004-2006
E.B. White, one of my favorite writers, used to say, “Simplify, simplify, simplify,” but that doesn’t mean that writing has to be simple, which is a different matter. Here’s a fine poem by Laurel Blossom of South Carolina that’s been simplified into a pure, clean beauty.

Red Balloon Rising

I tied it to your wrist
With a pretty pink bow, torn off
By the first little tug of wind.
I’m sorry.

I jumped to catch it, but not soon enough.
It darted away.

It still looked large and almost within reach.
Like a heart.

Watch, I said.
You squinted your little eyes.

The balloon looked happy, waving
Good-bye.

The sky is very high today, I said.
Red went black, a polka dot,

Then not. We watched it,
Even though we couldn’t

Spot it anymore at all.
Even after that.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2011 by Laurel Blossom, whose most recent book of poetry is “Degrees of Latitude” Four Way Books, 2007. Poem reprinted from “Pleiades,” Vol. 31, no. 1, 2011, by permission of Laurel Blossom and the publisher. Introduction copyright ©2012 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

American Life in Poetry ©2006 The Poetry Foundation
Contact: alp@poetryfoundation.org

Prairie Sure by Carol Light

Simply fantastic poem today from Ted Kooser’s column. If you haven’t checked out his “American Life in Poetry” yet – now is the day. For a born and bred East Coaster, this poem surprised me and actually made me long to live on the plains.

American Life in Poetry: Column 367
BY TED KOOSER, U.S. POET LAUREATE, 2004-2006
I’ve lived on the Great Plains all my life, and if I ever left this region for too long, I would dearly
miss it. This lovely poem by Carol Light, who lives in Washington state, reminds me of that.

Prairie Sure

Would I miss the way a breeze dimples
the butter-colored curtains on Sunday mornings,
or nights gnashed by cicadas and thunderstorms?
The leaning gossip, the half-alive ripple
of sunflowers, sagging eternities of corn
and sorghum, September preaching yellow, yellow
in all directions, the windowsills swelling
with Mason jars, the blue sky bluest borne
through tinted glass above the milled grains?
The dust, the heat, distrusted, the screen door
slapping as the slat-backed porch swing sighs,
the hatch of houseflies, the furlongs of freight trains,
and how they sing this routine, so sure, so sure—
the rote grace of every tempered life?

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org),
publisher of Poetry magazine. It is also supported by the Department of English at the University of
Nebraska, Lincoln. Poem copyright ©2011 by Carol Light, whose poems have been published in Prairie Schooner, Poetry Northwest and elsewhere. Poem reprinted from The Literary Bohemian, Issue 12, June 2011, by permission of Carol Light and the publisher. Introduction copyright 2012 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.


American Life in Poetry ©2006 The Poetry Foundation
Contact: alp@poetryfoundation.org
This column does not accept unsolicited poetry.

"My mother was like the bees" by Jeanne Wagner (American Life in Poetry)

Good day readers, I have returned from New Zealand and while I sort out my own ideas, thought I would start the week off with Ted Kooser’s pick…. Enjoy!

American Life in Poetry: Column 366
BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

I don’t think we’ve ever published a poem about a drinker. Though there are lots of poems on this topic, many of them are too judgmental for my liking. But here’s one I like, by Jeanne Wagner, of Kensington, California, especially for its original central comparison.

My mother was like the bees

because she needed a lavish taste
on her tongue,
a daily tipple of amber and gold
to waft her into the sky,
a soluble heat trickling down her throat.
Who could blame her
for starting out each morning
with a swig of something furious
in her belly, for days
when she dressed in flashy lamé
leggings like a starlet,
for wriggling and dancing a little madly,
her crazy reels and her rumbas,
for coming home wobbly
with a flicker of clover’s inflorescence
still clinging to her clothes,
enough to light the darkness
of a pitch-black hive.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2010 by Jeanne Wagner from her most recent book of poetry, “In the Body of Our Lives,” Sixteen Rivers Press, 2010. Poem reprinted by permission of Jeanne Wagner and the publisher. Introduction copyright ©2012 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

American Life in Poetry ©2006 The Poetry Foundation
Contact: alp@poetryfoundation.org
This column does not accept unsolicited poetry.

"Second Tour" from American Life in Poetry

Another great pick from Mr. Kooser – worth sharing today! Enjoy, and remember to subscribe if you like what you see 🙂

American Life in Poetry: Column 363
BY TED KOOSER, U.S. POET LAUREATE, 2004-2006
Psychologists must have a word for it, the phenomenon of shifting the focus of sadness from the source of that sadness to something else. Here’s a fine poem on this subject by Penelope Scambly Schott, who lives in Oregon.

Second Tour

While my husband packed to fly back to Vietnam,
this time as a tourist instead of a soldier,

I drove to the zoo to say goodbye to the musk oxen
who were being shipped out early next morning

to Tacoma. We were getting lions instead.
When I got there, it was too easy to park.

The zoo was closing early so they wouldn’t let me in.
I went back to my car and slid into the driver’s seat.

Sobs tore from deep in my chest, I who had never
seen a musk ox and never cared until now.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2010 by Penelope Scambly Schott, from her most recent book of poems, “Crow Mercies,” Calyx Books, 2010. Poem first appeared in “Arroyo Literary Review,” Vol. 2, Spring 2010. Reprinted by permission of Penelope Scambly Schott and the publishers. Introduction copyright 2012 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

American Life in Poetry ©2006 The Poetry Foundation
Contact: alp@poetryfoundation.org
This column does not accept unsolicited poetry.

American Life in Poetry: Moment by Gloor

Another brilliant recommendation by Mr. Ted Kooser. Take a look at Carol Gloor’s poem below and enjoy!
 

BY TED KOOSER, U.S. POET LAUREATE

Carol L. Gloor is an attorney living in Chicago and Savanna, Illinois. I especially like this poem of hers for its powerful ending, which fittingly uses the legal language of trusts and estates.

Moment

At the moment of my mother’s death
I am rinsing frozen chicken.
No vision, no rending
of the temple curtain, only
the soft give of meat.
I had not seen her in four days.
I thought her better,
and the hospital did not call,
so I am fresh from
an office Christmas party,
scotch on my breath
as I answer the phone.
And in one moment all my past acts
become irrevocable.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2010 by Carol L. Gloor, whose chapbook is Giving Death the Raspberries, Thorntree Press, 1991. Poem reprinted from Calyx: A Journal of Art and Literature by Women, Vol. 25, no. 3, Winter 2010, by permission of Carol L. Gloor and the publisher. Introduction copyright © 2012 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

"Eight Ball" by Claudi Emerson [American Life in Poetry]

Hi friends! Below is another interesting feature from the American Life in Poetry column, hosted by Ted Kooser. As I always, I highly encourage you to sign up~ it’s a happy bit of email in your day!
 

BY TED KOOSER, U.S. POET LAUREATE

At a time when a relationship is falling apart, sometimes the news of its failure doesn’t come out of a mouth but from gestures. Claudia Emerson, who lives in Virginia, here captures a telling moment.

Eight Ball

It was fifty cents a game
             beneath exhausted ceiling fans,
the smoke’s old spiral. Hooded lights
             burned distant, dull. I was tired, but you
insisted on one more, so I chalked
             the cue—the bored blue—broke, scratched.
It was always possible
             for you to run the table, leave me
nothing. But I recall the easy
             shot you missed, and then the way
we both studied, circling—keeping
             what you had left me between us.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2005 by Claudia Emerson, whose most recent book of poetry is Figure Studies, Louisiana State University Press, 2008. Poem reprinted from Late Wife, Louisiana State University Press, 2005, by permission of Claudia Emerson and the publisher.  Introduction copyright © 2012 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.