the ex-stripper

in the bathroom of the dirty bar,
she hits up a line,
that white dust, like angel wings ground up,

sniffing she walks to the bar skinny,
her usual red wine glass,
so plum and rich, waiting patiently,
her confidante, her lover,

god the music is fast,
the wine is sharp and biting, fast,
the drumming bass beats,
her heart beats hard, fast,

somehow she’s up in front now,
tossing hips and long hair,
feeling her tits, thighs,
swirling down and up, a kick,
wearing platform stiletto heels,

the bearded men drink their Budweiser cans,
the leather jackets talk of riding,
their attention turns to her, a long minute,
then,
back to Harleys, football,
silent tackles on the five TV screens,
a Monday night tradition,
they’ve seen her all before,

she tastes the wine on her lips, speaking fast, to no one,
“i’m twenty, and
undiscovered, washed under,
drowned”
she whispers more, feet tapping,
hips swaying,

they always let her down in the morning,
such a fall,
always that big empty hallow hole,
skinny arms and legs tangled alone,
the halo tossed careless by the bed,
next to the padded bra, red thong,
wings in tatters on the bathroom floor,
broken wine glass spilling red,

next night the white line ready,
waiting patiently,

Gemini

Written right after college, after my introduction to the corporate world. I did have some terrible insomnia then due in part to my friends who played some great music late at night. And well, we all know us Geminis have those split personalities…BTW, check out Susan Miller (astrology zone) if you are into horoscopes.

Gemini

I have The Verve on headphones
and a bottle of tap water
dressed as Evian
and a loose fitting cardigan that
might be my mother’s. My daylight
look is un-glamour. My smile is wide.
My corporate mind works only hard enough
to avoid boredom. I see
my outlook as partly sunny considering
these co-workers who laugh
and schedule happy hour drinks.

Days turn to nights;
I carry on with my
habitual insomnia.

I have two crinkled dollars
in cobblestone Fells and
wonder what
dark fishnet freaks think of me. One time
they yelled prophetically,
“where you going?” and I didn’t reply.
Yet, I hear the night crickets
and I chirp with them to the Horse
for a surreal scene of bebop cool; an
irrational scene of lost legs
doomed to be tired in the morning
but glad for it.

In star-read, tousled dreams,
we discover the meaning
inherent in the two.

residue

It’s beautiful and sunny, yet I’m feeling dark today. Dredging up some older poems. These, obviously, are more difficult to post than the ones about my family. Maybe that’s why I want to get them up now. Before anyone finds out about this blog….

Residue

Daylight comes creeping over tight shut lids.
I’m still in my clothes,
I’m on the shag carpet,
I’m feeling my head ripping apart.

My mascara runs and
leaves some raccoon eyes
looking at cold rain
with sadness. There is no one around
to see the mess that’s left.
There’s no one to clean up the
sticky kitchen floor,
no one to put the stale food away.

My dreams of black coffee and
black t-shirt men give me the shakes.
I’m tasting the residue
of a lingering hangover that feeds these thoughts.

I could claw my way out,
I could forget all the mistakes,
I could remember my medicine if you would just let me be.

“What brings me down now is love,” cry the crows.
They fly over the humming wheat fields Van Gogh saw
before he died.
I have the dried paint on my fingertips and under my eyes.

heroin overdose

He wanted.

One more hit and he would
nod off into that euphoric world
of soft cool skin,
lazy limbs,
unconcerned, untouchable,
free of the sin of the world.

An ephemeral release.

Then the roar,
the low tide like the darkest pit of hell – burning and clawing
and depression so intense it sucks the breath straight
from his heaving lungs.
Where are they now while he shakes skinny in the corner;
are they scared to talk about dying?

The streets aren’t;
their asphalt teeth vomit up the junk he needs.
Only the old get older and suffer longer – not him.

He is immediate gratification; a take when you can, while you can.
It is about what they will never understand –
everyone is trying to escape.
just the methods are different.

He wanted more and got it.
He wanted peace and got that too.

We’re still scared to talk about dying. We run and run and run.

(to mike. r.i.p.)

Another Waiting

Tuesday, I’ve written of you before,
you’re the day that seems to always attract the rain.

Now, my thoughts race around in a fog— the move, the secret.
It’s always about cycles,
grow and change and move.
Die and live and die.

Tonight I can’t see your face in the dark. Reaching out,
I can’t find the curve of your jaw. I can’t feel
the jeans on your legs. I can’t see your wide eyes shining
in the light sneaking in through the cracked door.
But you are in my head nevertheless.

Tuesday, you seem to breathe more slowly today.
Your head is back; your mouth is gaped open.
The air is thick and hard to swallow. Today, you may
just close your eyes and give up.

Live and die and live. It is all a cycle. Tuesday may be gone, but
there is another waiting.

Artist (My Mother on the Shore)

My mamma’s paintings are actually
collages of beautiful beaches
where she longs to be
collecting shells in a white cover up
white hat flipped up; hair flipped under and out,
styled by the salty air.

Slightly bent at the shoulders,
her head bowed, the angle
as if she is in a church, instead of here

looking intently at the foaming tide,
listening to the gentle rustle of treasures
tossed by waves—
What has it brought this morning?
Small boats for painted shores?
Tiny sails for framed harbors?
Faces of animals? This one here, a monkey!

I race up beside her and our ankles are
licked by the chilly ocean.

I bend quickly and scoop.
“Will this one work as a boat?” I ask.
“Maybe, maybe,” she says with a smile.
Our backs burn with the sun as we walk,

two dark silhouettes
on a brightening horizon.

Sky cannot know Ground

Pressed against a glass-paneled view
Of a city of skyscrapers
And just beyond that a lake big enough
To stretch beyond my imagination
I am

Understanding death—
Outside steel tops of buildings meet my gaze
Seated from the floor, this top floor,
And I feel the sway of the winds
That make this city famous.

My grandfather, mid-west born,
Had been to this city before. Had
Wreaked havoc down on those streets—
Filling the fountain with soap suds
And pulling trolley’s off their tracks.

I think, when I look down 45 stories,
Of gravity
Of how little we can know of the ground
From this height. In the dark,
The big city lights burn like small lighters
Meekly requesting an encore.

Inheritance

After dinner, by candlelight,
in a bed chilled by October,
reading Silver Threads
by Alice B. Johnson, my great-granddaughter fingers
turn aged pages, and
my eyes drink in words
that taste so familiar.

Is it possible to know
someone who is only a line on a family tree, shadows and
browned pages of poetry,
and Swedish recipes,
and memories from those who are also gone?

I put the thin book on my bedside table,
beside my cell phone,
and a plate of Florence and my
grandfather’s old pocket knife,
and my matches.

From the pages, an inheritance check slips out.

Oh God, I would give it all up!
Just to witness the writing of those threads, the
revisions, and better yet,
the inspirations.

Give it all up just
to hear her daughter explain,
in a warm kitchen,
her version of her mother’s poems.

I blow out the candles, and realize,
with one quick verse,
the past lives on. It is breathing in words
of mothers, daughters,
and home. Will another one find these
so familiar when I’m gone?