the first time i slept with him,
that sleep unafraid, mouth open,
not worried about drool or how my
cheeks fold and stack unattractive, i
felt like i had stepped out of
my skin, unzipped, truly naked
for the first time, thinking you’ve
never seen me before until now, you’ve
never realized how i would
lie awake waiting until your breath
cascaded slower, until your own
mouth fell aside, your soft snore my
signal: all clear to close your eyes.
Category Archives: Uncategorized
My Blue Shirt by Gary Whited
American Life in Poetry: Column 621
BY TED KOOSER, U.S. POET LAUREATE
“The next time you open your closet, this poem will give you reason to pay a little more attention to what’s hanging inside. Gary Whited is from Massachusetts and his most recent book is Having Listened, (Homebound Publications, 2013).”
My Blue Shirt
hangs in the closet
of this small room, collar open,
sleeves empty, tail wrinkled.
Nothing fills the shirt but air
and my faint scent. It waits,
all seven buttons undone,
button holes slack,
the soft fabric with its square white pattern,
all of it waiting for a body.
It would take any body, though it knows,
in its shirt way of knowing, only mine
has my shape in its wrinkles,
my bend in the elbows.
Outside this room birds hunt for food,
young leaves drink in morning sunlight,
people pass on their way to breakfast.
Yet here, in this closet,
the blue shirt needs nothing,
expects nothing, knows only its shirt knowledge,
that I am now learning—how to be private and patient,
how to be unbuttoned,
how to carry the scent of what has worn me,
and to know myself by the wrinkles.
We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright© 2013 by Gary Whited, “My Blue Shirt,” from Having Listened, (Homebound Publications, 2013). Poem reprinted by permission of Gary Whited and the publisher. Introduction copyright ©2017 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
Everything is Fine, Go Back to Sleep
I worry; you’re so good at hiding things,
like grit between your teeth, or
his baseball stats, her diminishing frame. Your heart is a
container full and piled high, your hands those of a thief,
gloved and stealthy, your chest a locked door.
I know the spot and still cannot find it.
Each sleep brings a chance, I think now I am here,
but the scent dies, trail dissolves,
your smile shakes the dream: “Everything is fine, go back to sleep.”
Is this too a dream?
I dream so well, so deep,
sometimes I can’t tell the dreaming
from the living. The rooms are both blue.
Have you ever thought you awoke, only to
find you were still dreaming? The clocks
on the wall melt like Dali.
When you say I Love You, the words seem
slow. If I reach out to touch you, will you
still be there, will you still be?
6 years ago – and the poetry
Hard to believe this all started 6 years ago. To all my poetry lovers out there – THANK YOU! And I’m sorry for the neglect… but I’m back 🙂 #JustPressSend
I found the words while
cleaning. They were
hiding in a corner I never visit anymore,
in a house I neglect,
their edges yellowing, those once
tall Ts slumped, bowled over by
gravity, and between tiny spaces,
weeds now rooted, all but
wrecking the leading, so many lines askew.
what a mess, a holy mess,
but the point is – I found them.
rain and Canadian pennies
If, when walking to a window
to view rain in shiny opaque sheets,
you find a Canadian penny
sitting on the sill,
is it still good luck?
Or are you more alone than ever
because the world is washing away
and even lucky charms
are foreign –
Or are we luckier than we realize?
Maybe we should thank our fellow
traveler for such a token of a
big and shining world.
Backbones unfurled
In the east we paint
rebelliously, our backbones
Unfurled. Trains, unaware
Hum low tones “I’m here,
I’m here.”
Celebrate Impermanence
Celebrate impermanence;
wash your upturned face in scents
like shadows, harbor, industry, earth;
let autumn slant and shimmer
until all becomes a checkered dock.
Grab tight the world and squeeze in familiar
desperation – then
relax and open up.
Without a road taken, Vegas Appears
And here I am over Colorado, racing towards Vegas,
and the cracked red lands, and the lights of a buzzing Oasis,
I brought along Kerouac.
He’s made me desperate
to take off and write that way, and live that way, hopping
rides with wild abandon.
Outside clouds pile high on each other, and here I sit,
smashed in the middle,
bursting at the thought:
I read this book 14 years ago
when the country was still unknown to me,
all marked for treasure, Xs and lines and potential on paper.
This was before the country’s heartache,
before constant notifications and
gel manicures, sushi, home ownership, broken marriages,
before GPS and Instagram,
before terrorism even. I was an open road.
Stretching out, clouds settle in, thinning like hair,
I want to visit the Omaha of my grandfather, the wild and raw,
Model T dripping oil, hissing in protest.
He made it to the Hoover Dam and camped out,
he slept under stars that don’t exist anymore because
we’ve swiped them away.
Without a road taken, Vegas appears.
Comings and Goings by Glenna Luschei #AmericanLifeinPoetry
Like Ted – I also enjoyed this poem greatly – the concept of belongings and how we travel through life, creating new stories, picking things up and then leaving them for someone else…. Enjoy!
American Life in Poetry: Column 549
BY TED KOOSER, U.S. POET LAUREATE
Glenna Luschei, who makes her home in California, has traveled the world, and like all good poets has paid attention to what she’s seen. Here’s a fine poem not from Cambodia or Greece but from Tucson, about the belongings some of us leave behind for others to carry ahead. It’s from her book, The Sky Is Shooting Blue Arrows, from University of New Mexico Press.
Comings and Goings
In Tucson
when a university student
goes home
she might leave her desk
and a chair, a bookcase outside her cave
with a sign, “Take me.”
And who could resist
heat radiating over furniture
like a mirage? You hoist
an old Victrola into your pickup
and ratchet up a new song.
You start that life in the West,
invent a past, and when that tune
winds down, it’s okay to put out,
“Take me.”
What do we have in life
but comings and goings?
We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2014 by Glenna Luschei, “Comings and Goings,” from The Sky Is Shooting Blue Arrows, (Univ. of New Mexico Press, 2014). Poem reprinted by permission of Glenna Luschei and the publisher. Introduction copyright © 2015 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
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